Posts Tagged ‘The Cars’


If you know the Wild Heart well, you know that there is a few musical things that are important to her……..or at least she thinks is pretty interesting:

  • Stevie Nicks – heck she named the blog after her album The Wild Heart because, after all, it is a pretty good album.
  • all things classic rock/pop
  • God – well that one goes without saying
  • all things related to the 80’s – all inclusive on this one
  • record stores
  • Grooveshark – pretty groovy little music service introduced to me by my ex-boyfriend.

And lastly, the early days of a certain network that no longer lives up to its own name: MTV. Since it’s inception in 1981, one thing has changed vastly: technology. Remember the days where you would wait around the radio or the television to listen to your favorite song. I know I did it with pretty much any song by either LeAnn Rimes, Avalon (christian band), Point of Grace (another Christian band – think the christian equivalent of the Spice Girls), etc.

Well now no thanks to technology, iTunes and some amazing web developers who probably love music as much as I do, you can now listen to whatever song whenever you want.

Since I (and hopefully you) are a big fan of old skool MTV, I decided to make a playlist out of the 1st 24 hours of MTV. However, there are a few songs that we couldn’t find on Grooveshark right now. Songs like Iron Maiden by Iron Maiden, Little Suzi’s on the Up by PHD, In the Air Tonite by Phil Collins, Lucille, by Rockestra, Remote Control/Illegal by the Silencers, Hold On To The Night by Boot Camp, Victim by Boot Camp, Oh God I Wish I Was Home Tonite by Rod Stewart, Cruel You by the Shoes, Calling All Girls by Hilly Michaels, Let’s Go by the Cars, Riding Out the Storm by REO Speedwagon, I Don’t Want To Know by Robin Lane and the Chartbusters, Kid Blue by Louise Goffin, In My Arms Again by the Shoes, and finally Victim by Bootcamp.

Enjoy!


A few months ago, an old highschool friend of mine named Trey asked me, the Wild Heart, about where to sell his parents records in Houston. I, of course told him to go to either Cactus Records on S. Shepherd and Portsmouth st. or Black Dog Records on S. Shepherd.

So I have decided to come up with a list of things you should look at when buying records. I am not one that assesses records regularly, but I do buy records on a semi-regular basis.

Here are some of the things that you need to look at when selling your records. However, one thing you are going to need is a knowledgeable friend who knows about the genres or superfans of the artist.

Notice that Stevie's name is misspelled - there is no "e" at the end of her name when there should be.

Misprints: Believe it or not, misprints, goofs, and misspellings will, in this case, work to your advantage when selling your vinyl records. These are mainly manufacturing goofs. A great example of this would be from the Wild Heart’s own record collection: an original copy of Buckingham Nicks, an album by Fleetwood Mac members Lindsey Buckingham and Stevie Nicks, who released the album in 1973 prior to their musical union with Fleetwood Mac. In the album’s linear notes, Stevie’s name is misspelled. A more famous (and funny) example of this would be the Beatles first album released in the US that contained a risque misprint.

Alternate album covers: Alternate album covers can automatically bring up the price of an album tenfold. In my opinion, depending on how rare the alternate album cover is. I would use this rule of thumb: if its an alternate album cover, as in it doesn’t look like the album cover everyone knows, then you should charge them more. Take for example CCM artist Amy Grant’s 1977 self-titled debut album. It wasn’t expected to sell as well as it did considering that Contemporary Christian music was considered a niche

The re-shot album cover for Amy Grant's 1977 self-titled debut album

The original cover for Amy Grant’s 1977 self-titled debut album

market and sold only in Christian bookstores. However, the album sold over 50,000 copies and launched her successful career in Contemporary Christian music and later, pop music. Therefore, possibly the original album cover was unappealing for the mainstream market, therefore they shot another album cover and that is what we know today. Either way it is now worth a pretty penny.

Import: If the album is considered an import, as in its from another country, then tack on at least $10-15. If you can remember where you got the album, then you should probably note it. However usually there is a way to tell and it’s located on the back of the album. It may say “Germany” or whatever country it is from. For example, if you got a Beatles record in Australia, you can make the buyer pay well for that one.

Buckingham Nicks was originally released in 1973 but went nowhere. However, in 1978 after the success of their union with Fleetwood Mac, Polydor decided to re-release the record in 1978. Note that on this album it says 1973, making it an original release.

Year & record label: This is probably the thing you wanna check first. This will tell you if it is a reissue or an original pressing. An original pressing is a good thing, you want this because it will get you more money. Reissues will get you nothing.

Popularity of the artist and the record: This is perhaps one of the most important things to look at. The more popular the artist, the more worth the album will be. One thing I would look at is this: are they in some sort of hall of fame? If they are, it would be safe to say that you can ask for more money. Also, you need to know how popular the record was upon first release. For example, if you have a copy of Synchronicity by the Police, you can sell it for a good price. However, if its something non-legendary such as Heartbeat City by the Cars – then you can virtually give that one away.

And last but not least…..look at the condition of the record. If it repeats or skips on any song, you’re better off making it into a DIY project. Don’t sell it. People don’t wanna buy a scratched record.


What do Apple Computers, Steve Wozniack, Mtv, Ozzy Osbourne, The Ramones, the Cars, Pat Benatar, Stevie Nicks,

The Us festival quite possibly was the best festival since Woodstock and Altamont

 Fleetwood Mac, the Grateful Dead, Missing Persons, and Willie Nelson all have in common? The greatest music festival since Woodstock 1969 of course: not the butt of a Homer Simpson joke on The Simpsons but rather the US Festival!

What is the US (pronounced “us” not “u-s”) festival you ask? It was the biggest musical festival since Woodstock and the poorly planned 1969 Altamont festival. It happened on Friday, September 3 and went through Sunday, September 5, 1982 – Labor Day Weekend and happened again on Memorial Day Weekend, 5/28/1983-5/30/1983. It finally ended on July 4, 1983. There were different themes for each day: country day, rock day, new wave day, and heavy metal day. The lineup consisted of such great artists as INXS, Pat Benatar, Fleetwood Mac, Stevie Nicks (both with Fleetwood Mac and as a solo act), Van Halen, U2, and the Clash.

It was literally the biggest festival since Woodstock.

However, it has never been released on dvd or blu-ray. But it has been shown in increments on VH1 Classic. I think that needs to change, don’t you?

Here are the 10 reasons Steve Wozniack needs to release this great festival on dvd and blu-ray:

1. Bono climbs the scaffolding during U2’s set.

Bono is a great showman, no doubt. However, this is the height of greatness when the greatest frontman of one of the greatest (and possibly the most controversial) Christian bands of all time decides to pull a stunt that could quite possibly put him one more step closer to God.

2. Breakfast with the Grateful Dead

What happens when you get pothead’s that are ending their “last dance with Mary Jane” all in one place? You get “Breakfast with the Grateful Dead!”

3. A blitzed David Lee Roth takes shots at Mick Jones of the Clash onstage.

You gotta love it when one rock star fights another. It’s like one of those moments that says “sucks to be you buddy!” As history has it, the Clash and Van Halen already had a fight going on when guitarist Eddie Van Halen decided to criticize the music that the Clash played by saying that it was “like music that I played in my garage.” At the Us festival, a clearly blitzed David Lee Roth said “I wanna take this time to say that this is real whiskey here… the only people who put ice tea in Jack Daniel’s bottles is The Clash, baby!” Roth only took one time to bash the Clash.

4. Heavy Metal Day

The artist lineup for that day was quite possibly the best lineup of heavy metal artist that ever walked the face of the earth. It was a sellout crowd with an estimated 375,000 attendants. It was, as Motley Crue’s Vince Neil put it “the day that New Wave died & rock & roll took over.” With a lineup that included the likes of Van Halen, Quiet Riot, Motley Crue, Ozzy Osbourne, Judas Priest, Triumph and Scorpions – Neil’s point is well-taken.

5. Stevie Nicks babble’s and has technical issues.”

The night was a rather interesting night for rock goddess Stevie Nicks. For starters, she was high and a little off-key on her hit single “Edge of Seventeen.” But the more funnier and greatest moment of her set was when she performed her upcoming new hit single (and signature song) “Stand Back.” Nicks says nice things like “I am only talking cuz I should keep my mouth shut” and then tells the audience that she will “hand deliver it [her now-classic album The Wild Heart] to each one of you. I will! We will………sorta like Girlscout cookies!” She is clearly high at this point. she shows that she has a sense of humor when she starts explaining the lyric “be standin’ in” means and of course introduces the band. However she gives a great performance of “Stand Back” for the first time ever and that is what makes this performance memorable. Also, during the performance of “Edge of Seventeen,” Nicks dedicates the song to her late best friend, Robin, who passed away from leukemia during the success of the release of “Bella Donna.”

6. The Ramones perform “Rock and Roll Highschool.”

Words cannot describe this.

7. Pat Benatar sings “In The Heat of the Night.”

Never has a song been so fitting for both the time of day (or night in their case) and even the weather – which was a blistering 110 degrees in the middle of the day.

8. The Divinyls

Now, to anyone born after 1985, such as myself, they are known as a one-hit wonder band. Apparently they were labeled wrong because they did a bang-up set at the Us Festival. However, one must wonder what was lead singer Christina Amphlett was thinking with the fake ugly teeth.

9. Fleetwood Mac performs Tusk minus a marching band. However, the mac daddy and company make up for it by having keyboardist Christine McVie rock out on the accordion. Who knew that playing the accordion could make a person even more amazing than they already are? Christine pulls it off very well.

10. David Bowie electrifies the crowd with “Let’s Dance.”

David Bowie is one that never ceases to amaze.