Posts Tagged ‘Precious Time’


Pat Benatar is one of the best artists to emerge from the MTV era of rock & roll: the 60s-90s. Among such heavyweights as Journey, the lovely ladies of Heart, Fleetwood Mac, and even the Buggles, Benatar holds her own with her powerhouse

Cover of "Live From Earth"

vocals. This what has made her an icon. However, as with all great artists, they are meant to be heard live. Benatar proves she’s worthy of this with her 1983 live album, Live From Earth.

However, with all great artists, they are meant to be heard live and Benatar proves that she’s worthy of the “must-see” concert label.

She opens the show with the haunting classic “Fire and Ice.” However, things get really amazing when she breaks into the gritty “I Want Out” followed by the awesomeness that is “We Live For Love” and the grisly, sad, and controversial “Hell Is For Children.” That track is literally one that leaps out of the speakers and grabs you instantly. Clearly, this is Pat Benatar at her “tough-girl” persona best. One which she would abandon for another persona, a bit more personal one if you will – motherhood, with her 1984 album Tropico. The two studio tracks, the ever-popular “Love Is A Battlefield” and “Lipstick Lies” (both containing very memorable videos – such as Benatar herself doing Michael Jackson-style dance sequences) serve as a great transition into this new era for Benatar.

What Pat Benatar live album would not be complete without her performing her swan song, “Hit Me With Your Best Shot?” None! However, this is probably the weaker track of this album because you can barely hear her vocals. Since the album was recorded in many places, wherever they recorded it, the acoustics are TERRIBLE!

Benatar and her husband Neil Geraldo quickly redeem themselves on “Promises In the Dark.” The live version of “Promises In The Dark” actually sounds better than the recording as heard on 1983’s Precious Time album.

This album is okay, however it seems more or less like a greatest hits collection thrown in with a few new tracks. But its a good live album overall from what sounds like one exciting tour. B+


Pat Benatar is one of the feistiest singers in rock & roll. In 1979, she hit the music scene with a vengeance with In The Heat of the Night.

Benatar exclaims to her ex-lover “you’re a heartbreaker/dream-maker/love-taker don’t you mess around with me” on the smash single Heartbreaker. Benatar’s gritty albeit beautiful vocals, combined with guitarist and future husband Neil Giraldo‘s searing guitar solos, make this track one of the quintessential songs of Benatar’s career.

Subtlety works well on the title track. The bass line, combined with a much more vocally subdued Benatar, makes this for one unforgettable early Benatar track.  It gives it a suspenseful feel. In a possible homage to the movie The Stepford Wives, Benatar tells of a fake woman living the life of another in My Clone Sleeps Alone.

One of the weaker tracks is If You Think You Know How To Love Me. It is essentially filler music and does absolutely nothing to make the album better.

Benatar shines on such other tracks as We Live For Love and Rated X. Rated X talks about a porn star who seeks out love in all the wrong places. While she wants love, all of the men that she seeks out want sex. According to husband Neil Giraldo in her autobiography Between a Heart and a Rock Place, We Live for Love was written as a love song for Pat Benatar by her future husband. However, she thinks otherwise that it was written for another woman.

Though it is not a perfect album, it is still a good album. In The Heat of the Night only gives us a taste of what to expect of her other albums including her followup to this album, Crimes of Passion and Precious Time.