Posts Tagged ‘Lindsey Buckingham’


A friend of mine said once that Fleetwood Mac is a band of solo artists – or something like that. Currently, you have Stevie Nicks – the lead singer, In this case he is right on the money. His proof: the documentary Fleetwood Mac: Destiny Rules.

Destiny Rules is a candid documentary that follows the making of the band’s 2003 studio album Say You Will. It was the first album without longtime member and keyboardist Christine McVie and the first record with guitarist Lindsey Buckingham back in the band. Buckingham left the band shortly before the tour for their 1987 album Tango In the Night.

What Destiny Rules shows us is that, while a considerable amount of healing has taken place among the band – particularly between the notoriously stormy relationship between Buckingham and singer Stevie Nicks, there are still some caveats. For starters, they are somewhat worlds apart in their approaches to their craft – in particular the overall style.

For starters, Buckingham wanted their latest album to be a double album. A sordid Tusk 2.0 if you will. Nicks and the rest of the band see a double album as career suicide. She is right in her assessment that younger people, their target audience, will not buy a double album in 2003. After all, she would know because her solo efforts have, for the most part, consistently sold well despite her own age. Buckingham’s albums haven’t sold as well as hers.

To further drive home this point, when I saw Nicks in August 2011, her audience was a pretty full house. It consisted of young

English: FLEETWOOD MAC on March 3, 2009 in St....

women, families with children, some men and older women. It was at the Cynthia Woods Mitchell Pavillion in the Woodlands – just outside Houston, TX. When Lindsey Buckingham came to the Verizon Wireless Theater in downtown Houston, it was a smaller audience that consisted of older men and women. I and my friend Javier both joked that the audience was “the Woodstock generation” because we are in our mid-twenties.

But one of the best things is that it shows the actual production process that the album went through. Such as the scene where Stevie and Lindsey converse about Throw Down and the possibility of editing out a verse. Also the idea of choosing the right mixing person to mix the songs is shown.

However the biggest complaint with this DVD is that there are absolutely NO extras. It is bare bones. It says on the back that the documentary was culled from over 500 hours of footage. You mean to tell me that you couldn’t make some extras out of that?!

B+

 

Advertisements

0:22-0:44 – Stevie, if you’re gonna hand deliver The Wild Heart to everyone then how come I had to pay $3 for it at the record store. (note: I wasn’t even born yet!)

3:27-3:54 – “Where am I again? This dance I’m trying to do…….was done bad.”

This is perhaps one of the best, albeit craziest, performances of Stand Back that exists.


For some reason, everytime I do Stevie Nicks my numbers go up! This is one I personally like myself.

the wildheart

Rock music’s gold dust woman makes a huge splash with her 1983 release, The Wild Heart.

Stevie Nicks is known for having a lush, deep, contra-alto voice. Nicks’ beautiful voice truly shines on such tracks as synthesizer-driven If Anyone Falls. The track only gets better on the chorus, when Nicks is joined by her two backup singers which include die-hard fan favorite band member Lori Perry- Nicks.

However, the best track on this album is the ever-popular Stand Back. Since the album’s release, it has become a staple at both Nicks’ solo shows and Fleetwood Mac concerts. It shows Nicks at her best – complete with vocal prowess.

Nicks also shows what a great songwriter she is on Nothing Ever Changes in which Nicks exclaims “Come back…little boy/ baby come back…yeah…little boy/ Ooh…it’s just me that lies waiting/ Well it could come from anywhere/ oooh it could…

View original post 140 more words


Fleetwood Mac is one of those bands that loves to experiment with new sounds. Sometimes it works for them – such as the stylistic change they experienced with the addition of the two Americans in 1974 [guitarist Lindsey Buckingham and his then-girlfriend, Stevie Nicks] to a then-all British blues band. Other times the band experiments a little too much, such as they did with the addition of Bekka Bramlett in the 90’s due to the absence of singer Stevie Nicks.

Cool Water is the b-side to their hit 1982 single Gypsy from Mirage. Thankfully, it was left off the album. It’s stylistically more fitting for a Lindsey Buckingham album, not Fleetwood Mac.

The verdict: don’t waste your time with this track.


In the music world, there are “jam bands.” Fleetwood Mac used to be one of these, albeit a british blues band. The Mac daddy and friends return to this with the b-side to the 1987 smash hit Little Lies entitled Ricky. However this time that semi-jamlike sound gets a nice 80’s production makeover.

Ricky is a Christine McVie and Lindsey Buckingham-penned track. It doesn’t have much as far as lyrics go, but it shows off the rest of the band’s musicianship, especially the licks from bass player John McVie, whose bass playing serves as the main melody of the entire song. McVie shines well on this track.

A+


If you know the Wild Heartwell, it’s a widely-known thing that I LOVE Seinfeld. However, there is one particular episode

Happy Festivus from the Wild Heart

that strikes my fancy: The Strike. This one is perhaps best-known as The Festivus.

With that said, I present to you the Wild Heart’s celebration of Festivus. HAPPY FESTIVUS! LET’S RUMBLE!

Airing of Grievances:

The airing of grievances gathers everyone you know and you tell them how they have wronged you in the past year.

  • Heart – you come to Houston AGAIN and every time you do, you jack up your ticket prices. As a fan, I find this completely appalling. I haven’t seen your act since 2008’s Human Tour when I was in college. Between then and now, the economy went to hell and now this jobless college grad cannot afford to go to your concerts. Please lower your ticket prices!!
  • Amy Grant – Your “2 Friends Tour” COMPLETELY avoided coming to Houston. I really wanted to see you live again and performing all your old hits, as well as Michael W. Smith. So I suggest that you stop snubbing Houston, and come to some place like the Berry Center, Cynthia Woods Mitchell Pavillion, or even the House of Blues. Otherwise I am done listening to your music!
  • KTRU – I go in for an interview twice with you dumbass hipsters and you refuse to hire me twice! You act all anti-record industry yet what do I see when I walk into your studios but a big white banner that says “TOM WAITS FOR NO ONE!” Guess what? He was signed to Asylum and Island Records – both are major labels. He’s currently signed to Anti records, the US distributor to Kate Bush. Hate to break it to you but that’s a major label too. Yet somehow you don’t like me because I tell you the artists I am currently loving are Fleetwood Mac, Stevie Nicks and Kate Bush. You are nothing but hypocrites. Thanks for crushing my on-air dreams.Oh and one more thing, since you are based at Rice University: GO COOGS!
  • Stevie Nicks – Why did you have to snub Houston for the “Heart and Soul” tour? I wanted to see you perform that duet of Young Turks with Rod Stewart Not cool! But thanks for coming for the “In Your Dreams” tour. That was amazing!
  • White Stripes, Rilo Kiley, & R.E.M – Why did you all break up? We need you to save us from the clutches of the evils of bad music such as Lady GaGa & Katy Perry!
  • Ke$ha – I couldn’t help but notice that your song “C U Next Tuesday” is an acronym for “cunt.” As a college educated woman who took at least 9 hours of womens studies classes, I find this VERY offensive. Just because a guy calls you that doesn’t mean that it is okay. It’s degrading a female to a mere body part and nothing more. Take a freaking lesson from the women’s lib movement from the 70’s Ke$sha!
  • The Ton Tons – How come you never got back to me about covering you guys?
  • Nameless haters of that know who they are – What the hell gives you the right to take shots at the Wild Heart? BTW keep up the hatin’ because people like you only make people like me stronger! To quote Pat Benatar: “Knock me down it’s all in vain. I get right back up on my feet again! Hit me with your best shot!” It’s never cool to make fun of someone’s album collection. Vinyl is cooler, better sounding as far as decibels go, but you are a clueless jerk who only cares about making other peoples lives miserable.

And now for the toasts of 2011

  • All of the local bands that I have covered this year – Nightbird – Stevie Nicks Tribute, Spare Parts, Spare Heart – Heart Tribute, August 83, Kozmic Pearl – Janis Joplin Tribute, Love It To Death – Alice Cooper Tribute, and BlackRozeHouston. I have loved every minute of covering you guys. Houston’s music scene is like a hidden gem of musical talent. All of y’all keep up the good work and I think you will go far! Special thanks to John Hill and Jennifer Nguyen for giving me this idea.
  • Glee – One of the best things that you do, aside from the funny storylines with Jane Lynch and Matthew Morrison, is that you introduce classic rock numbers to a new generation. You did this well with last season’s salute to Rumours by Fleetwood Mac. No thanks to the show, a new generation got to hear snippets about the emotional drama that went on behind the scenes but also hear the songs themselves as performed by the cast. I want an encore! However can that encore be with something by Yes or Styx?
  • Stevie Nicks – Your new album, In Your Dreams, is AMAZING! It reminds me of your old 80’s albums like The Wild Heart, Bella Donna, and The Other Side of the Mirror. Also, your In Your Dreams tour was pretty magical – least your concert in Houston was. (Never have I been to the Cynthia Woods Mitchell Pavillion where a concert was done in 103+ degree heat under a big full moon. Even better, your merchandise wasn’t too expensive and my mom liked the keychain I got her.
  • Lindsey Buckingham – I won tickets to your concert at Cactus Records. Though I am unfamiliar with your solo work, I must say you were pretty amazing at the Verizon Wireless Theater. Also, I must give you mad props for performing my favorite Fleetwood Mac song, Tusk.
  • Cactus and Black Records – Without you lovely people, I would not have been able to cover 2 major shows (Lindsey Buckingham and Lost 80’s Night at StereoLive with Animotion, When In Rome, and A Flock of Seagulls), survived a bad day at work, and helping me to climb the ladder of success with blogging.

Fleetwood Mac (1975 album)

In 1974, a relatively unknown British blues band named Fleetwood Mac was in dire straits: they constantly had issues in retaining a guitarist. Original guitarist and founding member Peter Green suffered a mental breakdown. His replacements either had an affair with drummer and co-founder Mick Fleetwood‘s 1st wife, joined a cult, or simply got sick of the drama that plagued the band. Also, their move to the US from the UK didn’t make matters better because they were still without hits. The Mac was in trouble.

But this all changed one day when Mick was in the studio and heard a track called Frozen Love by a duo called Buckingham Nicks, which consisted of guitarist Lindsey Buckingham and his then-girlfriend Stevie Nicks. Mick was very impressed with Buckingham’s guitar-playing and asked him to join the band. Buckingham accepted, but with one stipulation: his girlfriend Stevie could also join. They were a “package deal.” Mick accepted the proposal and on July 11, 1975, Fleetwood Mac, along with Stevie Nicks and Lindsey Buckingham, released their 2nd self-titled album.

The addition of Lindsey Buckingham and Stevie Nicks is like a breath of fresh air for the band in both their songwriting and overall sound. This is shown from the beginning with the upbeat Monday Morning by Lindsey Buckingham, where he declares “Monday Morning you look so fine/ Friday I’ve got travelin’ on my mind/ First you love me then you fade away” – which is a possible foreshadowing of tension and ultimate breakup that would arise during the recording of their next album between he and then-girlfriend Stevie Nicks.

However, things really heat up with the classic Stevie Nicks-penned Rhiannon – a mystical song about a beautiful welsh witch. Unfortunately this is a track that is better when Nicks performs it live because the actual recording doesn’t do justice to how she performs it live.

Longtime Fleetwood Mac keyboardist Christine McVie makes a rather excellent contribution in the form of World Turning. McVie and her teamup with Buckingham is amazing. It proves that, even though she is the balladeer of the bunch, she’s an excellent rocker as well.

Fleetwood Mac’s 1975 self-titled album was a step in the right direction with the addition of the two newcomers. At the same time, it is only a preview of what is to come with Fleetwood Mac. Though it’s not Rumours, this album is highly recommended.