Posts Tagged ‘In Your Dreams’


If you know the Wild Heartwell, it’s a widely-known thing that I LOVE Seinfeld. However, there is one particular episode

Happy Festivus from the Wild Heart

that strikes my fancy: The Strike. This one is perhaps best-known as The Festivus.

With that said, I present to you the Wild Heart’s celebration of Festivus. HAPPY FESTIVUS! LET’S RUMBLE!

Airing of Grievances:

The airing of grievances gathers everyone you know and you tell them how they have wronged you in the past year.

  • Heart – you come to Houston AGAIN and every time you do, you jack up your ticket prices. As a fan, I find this completely appalling. I haven’t seen your act since 2008’s Human Tour when I was in college. Between then and now, the economy went to hell and now this jobless college grad cannot afford to go to your concerts. Please lower your ticket prices!!
  • Amy Grant – Your “2 Friends Tour” COMPLETELY avoided coming to Houston. I really wanted to see you live again and performing all your old hits, as well as Michael W. Smith. So I suggest that you stop snubbing Houston, and come to some place like the Berry Center, Cynthia Woods Mitchell Pavillion, or even the House of Blues. Otherwise I am done listening to your music!
  • KTRU – I go in for an interview twice with you dumbass hipsters and you refuse to hire me twice! You act all anti-record industry yet what do I see when I walk into your studios but a big white banner that says “TOM WAITS FOR NO ONE!” Guess what? He was signed to Asylum and Island Records – both are major labels. He’s currently signed to Anti records, the US distributor to Kate Bush. Hate to break it to you but that’s a major label too. Yet somehow you don’t like me because I tell you the artists I am currently loving are Fleetwood Mac, Stevie Nicks and Kate Bush. You are nothing but hypocrites. Thanks for crushing my on-air dreams.Oh and one more thing, since you are based at Rice University: GO COOGS!
  • Stevie Nicks – Why did you have to snub Houston for the “Heart and Soul” tour? I wanted to see you perform that duet of Young Turks with Rod Stewart Not cool! But thanks for coming for the “In Your Dreams” tour. That was amazing!
  • White Stripes, Rilo Kiley, & R.E.M – Why did you all break up? We need you to save us from the clutches of the evils of bad music such as Lady GaGa & Katy Perry!
  • Ke$ha – I couldn’t help but notice that your song “C U Next Tuesday” is an acronym for “cunt.” As a college educated woman who took at least 9 hours of womens studies classes, I find this VERY offensive. Just because a guy calls you that doesn’t mean that it is okay. It’s degrading a female to a mere body part and nothing more. Take a freaking lesson from the women’s lib movement from the 70’s Ke$sha!
  • The Ton Tons – How come you never got back to me about covering you guys?
  • Nameless haters of that know who they are – What the hell gives you the right to take shots at the Wild Heart? BTW keep up the hatin’ because people like you only make people like me stronger! To quote Pat Benatar: “Knock me down it’s all in vain. I get right back up on my feet again! Hit me with your best shot!” It’s never cool to make fun of someone’s album collection. Vinyl is cooler, better sounding as far as decibels go, but you are a clueless jerk who only cares about making other peoples lives miserable.

And now for the toasts of 2011

  • All of the local bands that I have covered this year – Nightbird – Stevie Nicks Tribute, Spare Parts, Spare Heart – Heart Tribute, August 83, Kozmic Pearl – Janis Joplin Tribute, Love It To Death – Alice Cooper Tribute, and BlackRozeHouston. I have loved every minute of covering you guys. Houston’s music scene is like a hidden gem of musical talent. All of y’all keep up the good work and I think you will go far! Special thanks to John Hill and Jennifer Nguyen for giving me this idea.
  • Glee – One of the best things that you do, aside from the funny storylines with Jane Lynch and Matthew Morrison, is that you introduce classic rock numbers to a new generation. You did this well with last season’s salute to Rumours by Fleetwood Mac. No thanks to the show, a new generation got to hear snippets about the emotional drama that went on behind the scenes but also hear the songs themselves as performed by the cast. I want an encore! However can that encore be with something by Yes or Styx?
  • Stevie Nicks – Your new album, In Your Dreams, is AMAZING! It reminds me of your old 80’s albums like The Wild Heart, Bella Donna, and The Other Side of the Mirror. Also, your In Your Dreams tour was pretty magical – least your concert in Houston was. (Never have I been to the Cynthia Woods Mitchell Pavillion where a concert was done in 103+ degree heat under a big full moon. Even better, your merchandise wasn’t too expensive and my mom liked the keychain I got her.
  • Lindsey Buckingham – I won tickets to your concert at Cactus Records. Though I am unfamiliar with your solo work, I must say you were pretty amazing at the Verizon Wireless Theater. Also, I must give you mad props for performing my favorite Fleetwood Mac song, Tusk.
  • Cactus and Black Records – Without you lovely people, I would not have been able to cover 2 major shows (Lindsey Buckingham and Lost 80’s Night at StereoLive with Animotion, When In Rome, and A Flock of Seagulls), survived a bad day at work, and helping me to climb the ladder of success with blogging.
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Magical. Mystical. Beautiful. Legendary. Mysterious. All of these words describe rock legend Stevie Nicks. One thing that Nicks seems to be immune to is age. She seems to live by the notion that “age isn’t anything but a number” because after all, she is in her 60’s and still looks great and sounds great for any woman in rock & roll – a rarity.

Nicks’ albums are sheer experiences – like dreams. This album is no exception. She starts out the album with the dreamlike-trance Secret Love, which is nothing short of sexy. It was a song that was written when Rumours was made back in 1976, but thankfully she kept it for herself and we have it now in this extremely beautiful version.

In Your Dreams is an almost-return to some of the songs that made Bella Donna famous – minus the duet with Tom Petty. It has a feel that is reminiscent of Stop Dragging My Heart Around. I am sure that it will please both classic and newcomers to Stevie’s music, something that she has always been good at doing.

One of the best things about this album is both the mix of rock and trance-likeness that weaves throughout the entire album. She proves this well on Wild Sargasso Sea, which tells the tale of a jilted lover and/or friends with benefits. She continues this haunting with the tribute to New Orleans song entitled New Orleans. As someone who lives in nearby Houston, TX and saw all the refugees coming from Hurricane Katrina, this is a very beautiful song about the hope and promise that New Orleans is back up and running despite the horrible events of Hurricane Katrina. Nicks exclaims “I wanna dress up/ I wanna wear beads.”

The best melodic song, though, has to be You May Be the One. Nicks’ classic backup singers, Sharon Celani and Lori Petty Nicks (her sister-in-law) join her in once again-unmatched harmony. It is nothing short of beautiful and sounds much like Nicks circa 1983 when The Wild Heart was released.

Annabel Lee sounds like an updated version mixture of The Wild Heart and Nightbird. All in all it is amazing and it is a welcome return to rock music. However, one of the biggest surprises comes on Solider’s Angel  – a surprise duet with Lindsey Buckingham, her former boyfriend and fellow member of Fleetwood Mac.

Overall the album is one of the best Stevie Nicks albums out there. It sounds much like classic Nicks with a dreamlike kick, which is what makes the album extremely beautiful. It is sure to be a bestseller and hopefully a successful tour will come out of this. This album will hit stores on May 3rd.


It was a night with the sisterhood of the traveling guitars, a Gold Dust Woman, and a lady hailing from Port Arthur, TX Friday night at the Flamingo Room in Houston, TX with Spare Heart – a Tribute to Heart, Nightbird: Stevie NicksTribute, & Kozmic Pearl – a tribute to Janis Joplin.

Kozmic Pearl helped everyone step back in time with their interpretation of the best of late legend Janis Joplin.

Kozmic Pearl helped everyone step back in time with their interpretation of the best of late legend Janis Joplin., and opener Black Roze.

BlackRozeHouston kicked off the evening with a nice rendition of Your Love by the Outfield. However, that was nothing compared to the sultry vocals of the excellent Pat Benatar classic Invincible by Claudia Valenzuela. Their set was like a nice iPod playlist. They were a pretty good warmup for what was to come.

Spare Heart kicked off their set with a nice rendition of the 1978 hit Straight On from the Dog & Butterfly album. They even added a few bars to the song in a sort of jam-like session virtue, which gave the song a strong, welcome-to-the-show-like quality. However, the definitive showstopper was none other than Heart’s 1985 single Never in which bass player Sean Harrold brought the house down with his mad bass-playing skills.

In the style of the original Heart, Spare Heart changed the pace of the show with a slow, yet beautiful rendition of Love Alive. However, lead singer Linda Lambert kicks it back into high gear with Crazy On You and the ever-enchanting Magic Man. One of the more interesting things about their performance of Magic Man is that guitarist Staci Butler stays true to the Dreamboat Annie Live version rather than the actual recording of Dreamboat Annie.

However, what performance of a Heart tribute band would not be complete with a rousing performance of Heart’s most recognizable hit, Barracuda, which is the [literal] high note that Spare Heart used to close their set.

Kozmic Pearl was essentially like a little glimpse into what it may have been like to see the late legendary Janis Joplin with the Kozmic Blues Band in 1969 at Woodstock in . However, the highlight was when lead singer Myrna Sanders launched into a sultry rendition of Summertime and Cry Baby. According to one event attendee, Sanders was pretty close in her interpretation of Janis Joplin in both voice and even her bohemian-like style.

The main headliner was Nightbird – a Stevie Nicks tribute band. Lead vocalist Brooke Alyson portrays “Stevie Nicks” with much finesse as she launched into the ever-popular Stand Back – complete with twirls and sashays much like the real Stevie Nicks. One of the interesting things is that Alyson consistently takes cues from Nicks’ live shows – such as Nicks recent live show at the Cynthia Woods Mitchell Pavillion.

One of the best things about Nightbird is that, like Stevie herself, Alyson adds quite extensively to the performance version of the songs – much like she did on the classic 1985 single Talk To Me. Alyson’s version sounds more like the Live At Red Rocks version rather than the actual recording. One of the best moments is when she semi-quietly sings the line though we lay face to face and cheek to cheek/ Our voices stray from the common ground where they could meet/ The walls run high, to veil a swelling tear” and then bursts into the rest of this beautiful song, giving it a majestic bang.

Nightbird pleases both new and dire-hard fans of Stevie Nicks

However one of the major surprises is that Alyson performed some of the deeper tracks of Nicks’ career such as songs from her latest album In Your Dreams where she did an a capella version of Moonlight (A Vampires Delight) as a lead-in to Sorcerer. Sorcerer is a Buckingham Nicks song  that was meant for (but didn’t make the final cut) of the album of the same title that was released prior to Nicks and then-boyfriend Lindsey Buckingham’s union with Fleetwood Mac.

Another major albeit nice surprise was the fact that keyboard player Kelli Thompson sang the Fleetwood Mac hit You Make Lovin’ Fun from 1977’s Rumours album as well as guitarist Adam Walton’s interpretation of I’m So Afraid.

It was a great night that celebrated the three most influential women in rock and roll.


It was a full moon with blazing humid Texas heat but that didn’t stop thousands of enthusiastic Stevie Nicks fans from singing along to some of her greatest hits at the Cynthia Woods Mitchell Pavilion in the Woodlands – a suburb of Houston, TX on August 13.

Nicks opened the show with a searing rendition of her 1983 classic Stand Back as she slowly twirled around with her red shawl adorning her back and arms. She even did her signature high-kick near the song’s end.

“Well hello hello Houston welcome,” Nicks said in a mysterious tone. “They said it was gonna be hot but this is fantastic.”

Nicks then launched into a very enchanting rendition of Secret Love, the first single off her latest album In Your Dreams.

During the concert, the Gold Dust Woman proved that she is the master of suspense. For a moment she left the stage as it faded to black and changed into a golden shawl as the band chimed in with her signature Fleetwood Mac hit Gold Dust Woman. After the song Nicks lamented about the death of Amy Winehouse and how Nicks, while singing the lyric “you don’t see me now/you don’t feel me now” was thinking of the singer and her untimely death as she was singing the song. Nicks repeated this suspenseful vibe later in the show while performing a bang-up rendition of her 1976 hit Rhiannon.

One of the most touching moments of the evening was when Nicks talked about her trip to Walter Reed Medical Center, which made her cry. It served as the inspiration for Soldier’s Angel. The audience gave her a semi-standing ovation. Nicks then encouraged everyone to donate to the Wounded Warrior Project and the USO.

Nicks shines when she kicks up her heels and rocks – which is exactly what she did on Ghosts Are Gone. However that paled in comparison to the extremely popular showstopper Edge of Seventeen – which had a very long intro as Nicks emerged dressed in a white blouse and black dress. Shortly after she came back onstage for the encore she said “we want to leave you with a kiss” and launched into a beautiful rendition of Love Is.

The Gold Dust Woman, though she was losing her voice, still sounded amazing. She proves that at the ripe age of 63 that she can still rock it like she did in the 1980’s. After all these years, Stevie Nicks still looks and sounds amazing.


Stevie Nicks in concert

Image via Wikipedia

‪Stevie Nicks – Original Stand Back US Fest 1983‬‏ – YouTube.

In celebration of the In Your Dreams tour coming to Houston, TX this Saturday at 8pm (if you haven’t gotten your tickets yet and live in Houston, go to get ’em!), I think I shall post a few things about, well, the author of the album that is the name of this blog: The Wild Heart herself. (Though I blog about other artists too!)

I will also be tweeting from the concert so if you aren’t following me, well now is a GREAT time to start following me on Twitter.


No more Eurythmics reunion, says Annie Lennox | TopNews.

Dear Annie and Dave,

Hi, I am Christina. I live in Houston, TX. I like the Eurythmics and would love to see you record and tour again. Yes I am well aware, Dave, that you are working with Stevie Nicks now. In fact, I wanted you to come to Houston for the In Your Dreams tour, but sadly you declined.

But I think it is time for yet another reunion. Don’t you think?

Sweet dreams are made of this.

Love,

Christina Hildebrand

AKA

The wild heart


Ahhhh Fleetwood Mac. A band where you know who dated who and who broke up with who. However, when they make music together, it’s completely sheer magic. On Tango In the Night, this magic once again doesn’t fail them.

On this album, the band members take a more stylized production approach – a slick pop approach that still stays true to the style and music of Fleetwood Mac. Mirage and Rumours were more organic in both their sound and lyrics. Tango In the Night is, but with more production overdubs and a more pop approach. It sounds like they took more production cues from their most popular band member, Stevie Nicks, whose latest solo release at the time was Rock A Little (1985)

The greatest thing about this album is that there is no weak track. Each is a great standalone track. But perhaps one of the greatest tracks is Big Love due to the creative guitar-playing and “love grunting” of guitarist Lindsey Buckingham.

One thing to notice about the album is that the presence of Stevie Nicks is a little less. While she sings backup on many of the songs such as Little Lies, she has less songs where she is the lead vocalist, or even the main songwriter. The reason is due to the fact that she was in rehab for a cocaine addiction. On the other hand, Seven Wonders, though it’s not Gypsy or Gold Dust Woman, is still a viable (and underrated) classic. One surprise great track is Welcome to the Room…..Sara. It almost is a foreshadow of her later work including her latest single Secret Love from her latest album In Your Dreams.

Overall this is one of the most under appreciated albums of Fleetwood Mac. It is definitely a good listen, even though it is a deviation from the normal bluesy-pop/rock that has become beloved among Fleetwood Mac fans.