Posts Tagged ‘1978’


It was a night with the sisterhood of the traveling guitars, a Gold Dust Woman, and a lady hailing from Port Arthur, TX Friday night at the Flamingo Room in Houston, TX with Spare Heart – a Tribute to Heart, Nightbird: Stevie NicksTribute, & Kozmic Pearl – a tribute to Janis Joplin.

Kozmic Pearl helped everyone step back in time with their interpretation of the best of late legend Janis Joplin.

Kozmic Pearl helped everyone step back in time with their interpretation of the best of late legend Janis Joplin., and opener Black Roze.

BlackRozeHouston kicked off the evening with a nice rendition of Your Love by the Outfield. However, that was nothing compared to the sultry vocals of the excellent Pat Benatar classic Invincible by Claudia Valenzuela. Their set was like a nice iPod playlist. They were a pretty good warmup for what was to come.

Spare Heart kicked off their set with a nice rendition of the 1978 hit Straight On from the Dog & Butterfly album. They even added a few bars to the song in a sort of jam-like session virtue, which gave the song a strong, welcome-to-the-show-like quality. However, the definitive showstopper was none other than Heart’s 1985 single Never in which bass player Sean Harrold brought the house down with his mad bass-playing skills.

In the style of the original Heart, Spare Heart changed the pace of the show with a slow, yet beautiful rendition of Love Alive. However, lead singer Linda Lambert kicks it back into high gear with Crazy On You and the ever-enchanting Magic Man. One of the more interesting things about their performance of Magic Man is that guitarist Staci Butler stays true to the Dreamboat Annie Live version rather than the actual recording of Dreamboat Annie.

However, what performance of a Heart tribute band would not be complete with a rousing performance of Heart’s most recognizable hit, Barracuda, which is the [literal] high note that Spare Heart used to close their set.

Kozmic Pearl was essentially like a little glimpse into what it may have been like to see the late legendary Janis Joplin with the Kozmic Blues Band in 1969 at Woodstock in . However, the highlight was when lead singer Myrna Sanders launched into a sultry rendition of Summertime and Cry Baby. According to one event attendee, Sanders was pretty close in her interpretation of Janis Joplin in both voice and even her bohemian-like style.

The main headliner was Nightbird – a Stevie Nicks tribute band. Lead vocalist Brooke Alyson portrays “Stevie Nicks” with much finesse as she launched into the ever-popular Stand Back – complete with twirls and sashays much like the real Stevie Nicks. One of the interesting things is that Alyson consistently takes cues from Nicks’ live shows – such as Nicks recent live show at the Cynthia Woods Mitchell Pavillion.

One of the best things about Nightbird is that, like Stevie herself, Alyson adds quite extensively to the performance version of the songs – much like she did on the classic 1985 single Talk To Me. Alyson’s version sounds more like the Live At Red Rocks version rather than the actual recording. One of the best moments is when she semi-quietly sings the line though we lay face to face and cheek to cheek/ Our voices stray from the common ground where they could meet/ The walls run high, to veil a swelling tear” and then bursts into the rest of this beautiful song, giving it a majestic bang.

Nightbird pleases both new and dire-hard fans of Stevie Nicks

However one of the major surprises is that Alyson performed some of the deeper tracks of Nicks’ career such as songs from her latest album In Your Dreams where she did an a capella version of Moonlight (A Vampires Delight) as a lead-in to Sorcerer. Sorcerer is a Buckingham Nicks song  that was meant for (but didn’t make the final cut) of the album of the same title that was released prior to Nicks and then-boyfriend Lindsey Buckingham’s union with Fleetwood Mac.

Another major albeit nice surprise was the fact that keyboard player Kelli Thompson sang the Fleetwood Mac hit You Make Lovin’ Fun from 1977’s Rumours album as well as guitarist Adam Walton’s interpretation of I’m So Afraid.

It was a great night that celebrated the three most influential women in rock and roll.

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Black Sabbath reuniting | Celebrity Buzz – KKRW 93.7 The Arrow Houston’s Classic Rock Station.

That’s right all you metalheads! The original lineup of Black Sabbath is reuniting after nearly 33 years. They are reportedly recording a new album in their hometown of Birmingham, England. Their last studio album, Never Say Die, was released in 1978.

This will surely please all metalheads everywhere, which gives the Wild Heart fuzzy feelings inside. 


Blondes Have More Fun

Image via Wikipedia

Rod Stewart is one of those artists that is very chameleon-like and kinda timeless: no matter what decade or genre, he can do it. He’s done punk with his former band, the Faces, disco with Do Ya Think I’m Sexy, straight-up rock with She Won’t Dance With Me, synthpop and new wave with Young Turks and finally aspects of the Great American Songbook.

On his 1974 release, Blondes Have More Fun, Rod Stewart decides to start out the album with a sexy party with the disco-tinged come-on  Do Ya Think I’m Sexy. One of the greatest things about this song is that it sounds like its song title. Best of all, like most of Stewart’s songs, it is written as a narrative – almost like he was watching as an observer. But this changes when it comes to the infamous chorus “If you want my body and you think I’m sexy/ Come on, sugar, let me know/ If you really need me just reach out and touch me/ Come on, honey, tell me so.” Stewart is clearly talking about himself.
Other songs like Dirty Weekend are kinda, well, dirty. The word “pussy” does not fit the song – it’s straight up inappropriate.  The album further falls on its face with Last Summer. It sounds like he is trying to recreate a slower version of his classic Maggie May. It’s an epic fail on his behalf.

However, the absolute best song is the title track – a straight up rock song that proves to Stewart’s critics that he still a rock & roller in his heart. He even fuses disco and rock together with Standing in the Shadows of Love – which sound great no thanks to legendary drummer Carmine Appice and bassist Phillip Chen.

Overall, this album isn’t worth buying, however some of the good tracks like the title track, Do Ya Think I’m Sexy and Standing In the Shadows of Love are worth downloading.